A playful equilibrium between vision and reality, this commission for La Vie magazine features a teleidoscope that adopts the metaphor of ‘rose-colored glasses’, but rendered in half to reflect the constant wandering between idealistic imagination and the physical world during the creative journey. Composed of six cylindrical magnets, the structure invites the individual to redefine its form, allowing the trophy to be rearranged into various configurations or used separately as functional magnets and an optical desk toy in daily life. By transforming a traditional accolade into a tactile, interactive instrument, the work serves as a manifestation that creativity is not a finished state, but a continuous cycle of assembly, observation, and recalibration.

《半玫瑰色透鏡萬花筒》是為《La Vie》雜誌「台灣創意力 100」所設計的互動獎盃，用二種日常生活中的案頭小物為媒材，轉譯創作時的心路歷程。設計概念源於「玫瑰色眼鏡」的隱喻，但將其剖半處理，以映照創作者在理想想像與現實世界之間不斷遊走、徘徊的狀態。獎盃由六支不同直徑與質地的圓柱磁鐵與一支透鏡萬花筒組成，賦予獲獎者重新定義形態的權利，使其能自由重組成不同樣式，或將零件拆解作為日常磁鐵與萬花筒使用。這件作品打破了獎盃的既定形式，具體呈現了創意並非是完成後的靜態，而是一段關於觀察、嘗試與不斷重新出發的循環。

Design & Concept: Chia Ying Lee
Commission: La Vie / 2025 Taiwan Creative 100 Award
Production: Changhui Co. Ltd.
Medium: Acrylic, lens, mirrors, metal, magnets
Year: 2025
Photography: Zhang Ahuei